Cinema Studies Talk Series
Cinema Department Speakers Series | Spring 2026
Friday, April 10th at 4pm in LH-6
Emma Ben Ayoun, "Diminishing returns: illness, disability, and repetition in the films
of Tsai Ming-liang"
During the shooting of Tsai Ming-liang鈥檚 first film, Rebels of the Neon God (1992), his
lead actor, Lee Kang-Sheng鈥攚ho would go on to act in all of Tsai鈥檚 subsequent features鈥攕ustained
a neck injury that developed into chronic pain from which he suffers to this day.
Tsai has, on occasion, explicitly incorporated Lee鈥檚 condition into his films, notably
in The River (1997) and Days (2020); but images and narratives of illness and disability
haunt his entire oeuvre. From the walking-impaired woman who wanders the halls of
the movie theater in Goodbye, Dragon Inn (2003) to the eerily prescient scenes of
quarantine and contagion in The Hole (1998), illness and disability in these films
often take the form of compulsive repetition: habitual gestures, daily routines, and
anxious rituals. Reading Tsai鈥檚 filmography alongside key texts in disability theory,
film semiotics, and phenomenology, I argue in this talk that Tsai鈥檚 focus on the repetitive,
ritualistic aspects of illness and disability is surprisingly radical for the ways
it positions these phenomena not as aberrations or disruptions to the flow of meaning
and time, but as the central sites around which meaning and time as such are organized.
Emma Ben Ayoun is Assistant Professor of Film and Media at the SUNY Fashion Institute
of Technology, where she teaches courses on documentary cinema, film theory and criticism,
global film history, melodrama, and slow cinema, among other things. She holds a PhD
in Cinema and Media Studies from the University of Southern California and an MSt
in Film Aesthetics from the University of Oxford. Her writing, on topics including
disability theory, experimental documentary, animal studies, virtual reality, and
disability justice, can be found in Camera Obscura, The Velvet Light Trap, Journal
of Cinema and Media Studies, Intermedialit茅s, and Visual Anthropology, as well as
a new edited collection from Bloomsbury entitled Radical Embodiment on Film: Time
and the Cinematic Body. She is currently a 2026 SUNY Accessibility Advocates and Allies
Faculty Fellow.